Q: Okay, so David is Darth Vader. However, David is a perverted sociopath. Vader is a military genius who just happens to need an exo-suit to survive. Isn’t David just a bit too dark and violent?
A: Are you out of your mind? My David is a pussycat compared to Darth Vader. About 30 minutes into the Star Wars, Vader destroys an entire planet, just to prove a point. Ask the citizens of Alderaan if Darth is more or less evil than a CEO with a murderous streak. By my count, David has killed 10 maybe 20 guys. Darth kills several million in the first movie alone.
Q: Wow, I never thought about that.
A: Well think about this. At the end of Jedi, the scumbag, genocidal Darth gets redemption and his ghost gets to hang out with the ghosts of Ben and Yoda. It’s bullshit. That bastard should be in the same circle of Hell with Hitler, Stalin and Pol Pot. I don’t care that he killed he emperor. That one good deed does not make up for killing an entire fucking plant. So, sorry Vader fans, Darth is a rat bastard and deserves no slack because he got dipped in lava and abandoned by his friends. (Though, that was pretty messed up.)
After two years, my novel is complete. It is called Luke. You can buy it at Amazon... http://www.amazon.com/dp/B00DOMWB6M
Friday, July 26, 2013
Thursday, July 25, 2013
Interview With Myself - Why is Luke is NC-17?
Q: And another thing. Star Wars was written for 13-year-old boys. "Luke" has a couple graphic sex scenes and a ton of sexual references. What is he matter with you?
A: Luke is not written for 13-year-old boys. It is written for adults who might have fallen in love with Star Wars at 13, but still love it today. I wrote it for me, kind of. There was no bigger Star Wars fan growing up than me. These days I’m an adult, have lived a varied and interesting life, and so my taste in entertainment has matured. I like dark stories, challenging stories, and artistic stories. With Luke, I tried to combine these two things I love, Star Wars and gritty, funny, dark crime noir tales.
Q: Is that your excuse for the dirty parts? You consider yourself an artist?
A: Yes.
Q: What’s next? You going to turn “The Cat In The Hat” into a story about a male stripper with a taste in quirky headgear who deals heroin door-to-door?
A: I thought of that. So don’t tempt me. I could do it. It would rhyme and everything.
A: Luke is not written for 13-year-old boys. It is written for adults who might have fallen in love with Star Wars at 13, but still love it today. I wrote it for me, kind of. There was no bigger Star Wars fan growing up than me. These days I’m an adult, have lived a varied and interesting life, and so my taste in entertainment has matured. I like dark stories, challenging stories, and artistic stories. With Luke, I tried to combine these two things I love, Star Wars and gritty, funny, dark crime noir tales.
Q: Is that your excuse for the dirty parts? You consider yourself an artist?
A: Yes.
Q: What’s next? You going to turn “The Cat In The Hat” into a story about a male stripper with a taste in quirky headgear who deals heroin door-to-door?
A: I thought of that. So don’t tempt me. I could do it. It would rhyme and everything.
Wednesday, July 24, 2013
Get a signed copy of Luke for free!
Want a signed trade paperback version of Luke?
Just read it, and write an Amazon review. Send me the screenshot of the review and your address to 107reader@gmail.com.
Do that, and I will send you a signed copy! And one day, you'll be able to give it to your grandkids and explain to them that books were once printed on paper.
(While supplies last. I have ten copies.)
Tuesday, July 23, 2013
Interview With Myself - Part 2 - I Am Not James Joyce
Q: Are you saying you're worthy to even mention James Joyce when discussing something you wrote?
A: Don’t be a dick about it. I never said I was James Joyce. What I am saying is that I was inspired by Ulysses. I was fascinated with the idea of telling the story of a common man while using the same structure as an epic filled with bigger-than-life heroes.
Q: But you didn’t write that book. I’ve read Luke. It isn’t about the humdrum life of the common man. It’s a crime story with action scenes, car chases, sex, BDSM, and pot jokes. Did you fail in your goal?
A: Do you have to be so negative? Look, my first attempt to write a Ulysses was a failure because it was boring. No one wants to read about a guy's day-to-day routine of going to meaningless meetings and staring at a computer screen. It was too painful to write, much less to read. Going the crime story route turned out to be much more interesting.
Labels:
books,
crime,
editing,
fiction,
humor,
James Joyce,
literature,
parody,
thriller,
Ulysses
Monday, July 22, 2013
Interview with myself - Part One
Q: What is
Luke?
A: Luke is a
parody of Star Wars. But it isn’t silly. It is crime story with bits of dark
humor in same vein as Elmore Leonard or Carl Hiaasen. Parodies don’t have to be
goofy. What parodies do is make a statement about the source material.
Q: What are
you saying about Star Wars then?
A: I’m
saying this is the modern worlds Odyssey and Luke is our Ulysses. He is the
hero who takes the journey and arrives at his destination a changed man, a
hero, scarred, wiser but better than he was.
Labels:
books,
crime,
editing,
fiction,
finished,
humor,
James Joyce,
literature,
novels,
parody,
reading,
thrillers,
Ulysses,
writing
Saturday, July 20, 2013
LUKE - Now on Sale
So after a bunch of stops and starts, I final finished my novel. It is called Luke. This is what it looks like...
It is now on sale at Amazon. You can buy a Kindle version or a print version.
Want a free signed copy of the trade paperback version?
If you write a review of it, send a screenshot of the review and your mailing address to 107reader@gmail.com. Do that, and I will mail you a signed copy!
(While supplies last.)
Here is the link to buy it...
Let me know what you think! Thanks much.
Thursday, March 21, 2013
Loose ends wrapped up
Hello Readers!
So before I launch back into my detailing what I’m reading
and how it is teaching me about how to wrote (or how not to write), let’s talk
about some books I have skipped over and take care of some old business.
First off, 1Q84…holy shit, what a letdown. At halfway
through, I wrote glowing praise of a book I was in love with. It was weird,
clever, filled with interesting people and had a cool vibe. Remember Twin
Peaks?
The first season? It was like that. Then, well, remember the second season
of Twin Peaks? It got like that, directionless, confused, and ultimately
pointless.
I think 1Q84 and TP had the same problem. Their creators
were able to create a compelling mystery wrapped in a surreal atmosphere where
it seemed like anything was possible.
The problem comes in the third act, when a writer needs to
start answer questions and executing his end game moves. If you don’t know the
rules of the game you invented, then you have no shot at resolving things in a
way that makes any sense.
With 1Q84, things spin away with no clear answers or
anything that makes me think the author knew what the rules of his universe
were. Once the fictional universe loses its story logic, the suspension of
disbelief is broken and the book becomes no fun anymore. The mystery isn’t a
mystery; it’s just a jumble of scenes that feel like a mystery, but it’s
nothing, just air and leaves you unsatisfied.
So then I took a break from reading, and did a bunch of
writing. Somewhere in there I read A Dance With Dragons, Book 5 of the A Song
of Ice and Fire. You might also know it as the basis of HBO’s A Game of
Thrones.
Look, Books 1, 2 and 3 are classics. You will not find a
better read in any genre. Forget that it’s fantasy complete with men in tights
and magic swords. These stories are rich, meaty and delicious.
Book 4, however, was a long slog. Everyone was going
somewhere, but no one seemed to get anywhere. It was also filled with all the
least favorite characters.
Book 5 was better, but still not up to the pinnacle of Book
3.
What did I learn from Book 5? I suppose I learned about
making your characters suffer. Martin piles on the pain, the humiliation, and
the indignity. The likeable characters get the worst treatment, but then again,
the most evil characters get more than their share of hell as well. There isn’t one moment of happiness in the entire
book, and I can barely put it down.
Don’t be nice to your characters, not until the very end,
and even then, perhaps not.
Then I happily moved over to the new John Grisham, The Racketeer.
Reading JG is normally a solid lesson in how to write a crime
thriller. He isn’t flashy, but his books always do the job and with an almost
elegant efficiency. I’ll say it again, The Firm is a masterpiece in genre
fiction writing.
The Racketeer, not so much.
The first half works. We learn all about a wrongly accused man, and we
get to see him negotiate his way out of prison.
Then the guy launches into a long involved revenge sting
that makes less sense the more I think about it. I’m not going to get into it.
It’s boring. And disappointing. It’s also weird that of all the JG books to get
good reviews, it this one. I have no idea why. It is my least favorite Grisham
ever.
So now I’m onto Fifty Shades of Gray. It’s a lot more fun
than I’d thought it be. More on that one soon.
Cheers,
The 107 Reader
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